Welcome to Living Stone Sculpture
I am Anine Cockwell De Jong, originally from The Netherlands but now living and working on the edge of the fens near Cambridge, England. The inspiration for most of my work is animals and the natural world. I hope you will enjoy this introduction to my art, and that it will give you the same feelings of wonder at the beauty and variety of nature which led me to begin carving.
If you would like to try stone carving yourself then why not join an evening class or short course at my studio in Over?
If you would like to exhibit or buy any of my work, or discuss commissioning something unique, please contact me.
My philosophy & background
I was born in Eefde, a small town in The Netherlands. My childhood passion for nature was developed while studying Animal Management at Leeuwarden University.
The inspiration for most of my sculptures comes from a deep and profound understanding of animals, developed over years of study and practical field work. My carved animals are not simple facsimilies of the original form - I try to capture a depth of feeling, emotion, and movement that makes them 'Living Stones'.
Following 5 years working on the island of Texel in the Environmental Education department of 'EcoMare', the Centre for the Wadden and North Seas, I am now based in Cambridgeshire, UK. Nonetheless, the sea remains a great influence on my work.
If you are interested in commisioning, purchasing or exhibiting my work then please contact me.
I usually have pieces for sale at the Over Gallery in Cambridgeshire.
A selection of my work is often at Wood End Gallery in Bedfordshire.
In 2014 my larger than life woodlouse, Roly Poly, was included in The Natural Eye, the Society of Wildlife Artists' Annual Exhibition at the Mall Gallery in London. My work was also featured at the 2014 Rheebridge Open Art Exhibition in Cambridgeshire.
In 2011 and 2014 I exhibited work at the UK's National Exhibition of Wildlife Art, NEWA.
In December 2010 my work featured in 'The Variety of Life' exhbition at 'Nature In Art' in Twigworth, Gloucestershire, UK.
I have previously exhibited at several galleries in The Netherlands.
Making of a Living Stone ...
Every Living Stone is carefully hand crafted, following the story outlined in the rock. I rarely use power tools, preferring to feel my way into the rock.
Click on the picture to see the making of Roly Poly: a 'larger than life' portrait of the often disregarded or mistreated woodlouse.
Travels of the Living Stone Seal
The seal that sits at the top of this page was made for touching, for looking with your hands as well as with your eyes. Before finding a permanent home the seal took a tour through The Netherlands. She stayed in hospices and clinics, on show and accessible to residents and patients. This included a year at 'Villa Pardoes' in Kaatsheuvel providing companionship and comfort at this holiday home for terminally ill children and their families.
What is Bog Oak?
Bog-wood is material from trees that have been buried in peat bogs and preserved from decay by the acidic and anaerobic bog conditions, sometimes for hundreds or even thousands of years. The wood is usually stained brown by tannins dissolved in the acidic water. Bog-wood represents early stages in the fossilisation of wood, with further stages ultimately forming lignite and coal over a period of many millions of years. Bog-wood may come from any tree species naturally growing near or in bogs, including oak (Quercus – "bog oak"), pine (Pinus), yew (Taxus), swamp cypress (Taxodium) and kauri (Agathis). Bog-wood is a rare form of timber that is comparable to some of the world's most expensive tropical hardwoods. "Bog-wood," Wikipedia, The Free Encyclopaedia (accessed May 7, 2016)
The bog oak I have used to create the pieces featured in my bog oak gallery came from Ouse Fen in Cambridgeshire, a by-product of the sand and gravel extraction in Needingworth Quarry. The gravel diggings are gradually being turned into a wetland nature reserve by the RSPB. Perhaps five thousand years after it was buried, the semi-fossilised wood was dug up, salvaged, then carefully cut into small pieces and dried (very slowly) over a further four years. From this unexpectedly revealed treasure I am carving a series of my favourite fenland creatures.